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| sardaar gabbar singh |
sardaar gabbar singh Trilar review
21:07
theater trailers
Monday, 14 March 2016
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Corrupt police and politicians target a computer engineer for trying to better the lives of less privileged citizens.
Sivaji movie
22:57
blockbusters, tamil
Suriya's 24 Theatrical Trailer 2016. Suriya and Samantha & Nithya Menen in Suriya's 24. Suriya's 24 Tamil Movie Official Trailer 2016. Suriya's 24 Teaser 2016. Suriya in Suriya's 24. Suriya's 24 Theatrical Trailer 2016. Suriya's 24 Tamil Movie Theatrical Trailer 2016. Suriya's 24 Official Teaser 2016. Suriya's 24 Official Teaser. Suriya and Samantha & Nithya Menen in Suriya's 24. Suriya's 24 Tamil Movie Official Trailer 2016. Suriya's 24 Teaser 2016. Suriya in Suriya's 24. Suriya's 24 Theatrical Trailer 2016. Suriya's 24 Tamil Movie Theatrical Trailer 2016. Suriya's 24 Official Teaser 2016. Suriya's 24 Official Teaser. Suriya and Samantha & Nithya Menen in Suriya's 24. Suriya's 24 Tamil Movie Official Trailer 2016. Suriya's 24 Teaser 2016. Suriya in Suriya's 24. Suriya's 24 Theatrical Trailer 2016. Suriya's 24 Tamil Movie Theatrical Trailer 2016. Suriya's 24 Official Teaser 2016. Suriya's 24 Official Teaser. Suriya and Samantha & Nithya Menen in Suriya's 24...
24 is an upcoming Tamil science fiction thriller [1] film on concept of time-travel, written and directed by Vikram Kumar. The film features Suriya, Samantha and Nithya Menen in the
leading roles.
The development dates back to 2009, where the film was to feature actors Vikram and Ileana D'Cruz in lead roles. However, in February 2010, the film was dropped due to difference in opinions between director, producer and actor, facing rejection of the refined script. After a development hell, it was officially announced by 2D Entertainment in August 2014.
Principal photography commenced in Mumbai on April 8, 2015, and continued in Goregaon. A twenty-day filming schedule was completed in Poland by September 2015. A day shoot in Pune in October 2015, filming was officially completed in Chennai by early November 2015.
Produced by 2D Entertainment and K. E. Gnanavelraja with cinematography by Kiran Deohans and Tirru and film score composed by A. R. Rahman, the film is scheduled to release in 2016.
24 Tamil movie
T-Series Tamil presents latest Tamil movie Idhu Namma Aalu Trailer starring T.R. Silambarasan, STR, Nayantara, Andrea Jeremiah while music is composed by T.R Kuralarasan And Directed by Pandiraj.
Artist Name: T.R. Silambarasan, Nayantara, Andrea Jeremiah
Music Director: T.R. Kuralarasan
Idhu Namma Aalu
Watcch Thozha OFFICAL Teaser || Karthi || Nagarjuna || Thamanna || 2016 Tamil MOvies || New Theatrical Trailers 2016
Genre :Trailers
Movie :Thozha
Casting :Karthi,Nagarjuna,Thamanna
Director :VamsiPaidipally
Music : Gopi Sundar
Genre :Trailers
Movie :Thozha
Casting :Karthi,Nagarjuna,Thamanna
Director :VamsiPaidipally
Music : Gopi Sundar
Thozha Trailer
Pichaikaran is a Tamil movie direction by Sasi. The movie has Vijay Antony in the male lead role and Satna Titus plays the female lead role.
The shooting starts from Jan 21th, 2015 and the movie produced by the Vijay Antony's wife, under her home banner Vijay Antony Film Corporation.
Story
Pichaikkaran is a story of a rich man who will be forced to become a beggar due to some circumstances. The role of the rich man is played by Vijay Antony. Satna Titus played the female lead role in this action thriller movie.
Apart from the lead roles, the movie has John Kennedy and Bagavathi Perumal in supportive roles. What made the rich man leave his pleasures and start begging and how did the heroine and all the other characters have entered his life and how did they affect the hero’s life is all that is to be watched in the theaters.
Production
Sasi began the production of Pichaikkaran in October 2014, and signed on Vijay Antony to feature in the lead role. The pair had earlier worked together in Dishyum (2006), in which Vijay Antony had composed the film's music. The team shot a schedule in Pollachi in January 2015, before moving to Pondicherry by June 2015
Soundtrack
The movie's soundtrack album and background score were composed by Vijay Antony. The soundtrack album consist of seven tracks. The album was released on 07 Jan 2016.
One of the songs created controversy due to lyrics which hurted the doctors and Vijay Antony cleared the issue with his press statement, also removed the praticular lyrics from song.
Pichaikaran Movie
06:25
tamel
SYNOPSIS: Youngsters belonging to two rival factions in a village fall in love with each other. Will this romance add fuel to the enmity or result in peace?
REVIEW: Two warring groups in a village, romance that blossoms between the youngsters in these groups, and a happy ending! Before you say 'Yawn!', here's the news. Mapla Singam is actually not bad. The film seems to have been cut from the same cloth as films like Varuthapadatha Valibar Sangam. Sivakarthikeyan has made a career out of these films, and Vemal's attempts have largely gone unnoticed. Perhaps this one could do the magic.
You could call these films LCD (Least Common Denominator) films. They are projects that are kicked off with no greater ambition than to act as a mild diversion to the audience, especially the rural ones, for two hours. You get comedy, family drama, romance and even notional action scenes, but what works in these films' favour is that they don't take themselves seriously. That is why the antagonist is also never presented as a serious threat to the hero. Think
Samuthirakani in Rajini Murugan. Here, this role goes to Ramdas. He is Mahesh Babu (didn't we say the antagonists in these films are never scary?), the head of one of these groups, while the other group is headed by Sevuga Pandian (Radha Ravi). Pandian's clan has been the chairman of the village for many years. Anbu (Vemal), his brother's son, is his right hand man, and acts as a mediator in all kinds of disputes, particularly those involving lovers. Now, Sevuga Pandian's daughter, Vinothini is in love with Sathish, who belongs to the other group. And Anbu, who goes to warn the youngster, falls for his sister, Sailaja, a lawyer!
When Mapla Singam begins, with a collector (Pandiarajan) trying to make peace between the rival groups, things don't look promising. We are then introduced to Anbu and his gang of friends, which includes a foreigner (Adam Greig). He keeps commenting on the absurdity of the villagers' beliefs (Sevuga Pandian, for example, constantly keeps telling people to not educate their daughters) and his comments serve as the voice of reason. Nothing much happens in the first half, but the film manages to find a tone that is amusing to an extent; even when things seem to be getting formulaic, it doesn't bore you to death.
The resolution to the interval conflict is nicely done. We are told Vinothini and Sathish have eloped, but the second half shows what actually happened, and we smile at how the film has managed to surpass our opinion of it. Refreshingly, the film doesn't treat its female lead condescendingly as just someone who adds glam to the proceedings, like say Sakalakala Vallavan (the new one). In fact, it makes her character even more formidable than the hero. In fact, there is a sub-plot involving a local election as in that film, and Anjali is a candidate here as well. And the climax is quite low-key and we get an inexplicable satisfaction when exiting the theatre. Think we are over-selling the film? No, just bear in mind this is an LCD film... always!
Mapla Singam Movie
06:19
tamel
STORY:
'Irudhi Suttru' is about a man. It is the story of a man who exceeds past all normal expectations and makes the most out of what he is doing. What is he doing? Boxing. Why? Watch out on the silver screen. 'Irudhi Suttru' is all about Prabhu Selvaraj who trains Madhi for Boxing. The movie is all about what barricades one has to face to succeed in sports arena. The movie has all emotions and hardships faced by a boxer. The story line is common to Bollywood, but this is something new to Kollywood. No wonder Tamil audience are gonna love it. Madhavan has just given his best performance of his career here.
Star Performance
Irudhi Sattru Movie
06:10
t latest movies, tamil
Saturday, 12 March 2016
Sarainodu .directed by Boyapati Srinu and produced by Allu Aravind under the banner Geetha Arts. The film stars Allu Arjun, Rakul Preet Singh, Rahul Verma and Catherine Tresa in the lead roles
Sarainodu .directed by Boyapati Srinu and produced by Allu Aravind under the banner Geetha Arts. The film stars Allu Arjun, Rakul Preet Singh, Rahul Verma and Catherine Tresa in the lead rolesSarainodu .directed by Boyapati Srinu and produced by Allu Aravind under the banner Geetha Arts. The film stars Allu Arjun, Rakul Preet Singh, Rahul Verma and Catherine Tresa in the lead rolesSarainodu .directed by Boyapati Srinu and produced by Allu Aravind under the banner Geetha Arts. The film stars Allu Arjun, Rakul Preet Singh, Rahul Verma and Catherine Tresa in the lead roles
SARRAINODU MOVIES
Watch & Enjoy Tuntari Theatrical Trailer, Starring Nara Rohit, Latha Hegde.Music composed by Sai Karthik,Directed by Kumar Nagendra and Produced Ashok Baba, Nagarjuna under the Banner of Sri Keerthi Films.
Watch & Enjoy Tuntari Theatrical Trailer, Starring Nara Rohit, Latha Hegde.Music composed by Sai Karthik,Directed by Kumar Nagendra and Produced Ashok Baba, Nagarjuna under the Banner of Sri Keerthi Films.
Tuntari
RGV Vangaveeti Latest Trailer | Chalasani Venkata Ratnam Characterization | Vangaveeti Radha
RGV Vangaveeti Latest Trailer on Chalasani Venkata Ratnam Characterization, exclusively on Telugu Filmnagar. #VangaveetiRadha is a biopic of Vijayawada leader Vangaveeti Radha Krishna under Ram Gopal Varma's direction.
Telugu Filmnagar is South India's #1 YouTube Channel and your final stop for BEST IN CLASS content from TELUGU FILM INDUSTRY.
RGV Vangaveeti Latest Trailer | Chalasani Venkata Ratnam Characterization | Vangaveeti Radha
Watch Attack Telugu Movie Trailer : Manchu Manoj, Surabhi
Starring Manchu Manoj, Surabhi, Jagapathi Babu, Prakash Raj, Vadde Naveen
Directed by Ram Gopal Varma.
Music by Ravi Shankar,
D.O.P by Anji
Editing by Anwar Ali.
Produced by Swethalana, Varun, Teja and CV Rao under the banner Sree Subha Swetha Films.
Attack Telugu Movie Trailer : Manchu Manoj, Surabhi
Watch Sri Sri Movie Theatrical Trailer || Latest Telugu Movie 2016
Starring Super Star Krishna, Vijaya Nirmala, Naresh, Sudheer Babu, Sai Kumar, Posani Krishna Murali.
Directed by Muppalaneni Shiva.
Produced by Sri Sai Deep,Chatla Balu Reddy,Y Shaik Siraj.
Music by ES.Murthy.
Sri Sri
Three years back I watched my first Telugu film on big screen and the experience was so awesome, I struggled to find the words that'd do justice to the wonderment I felt.
It was an S S Rajamouli film named Eaga. And it was among my favourite films that year.
I was awe-struck by Rajamouli's ambition, audacity and unbridled imagination, his distaste for subtlety and appreciation for over-the-top. How he understands the science of extremes and transforms absurd into advantage is the main reason I was looking forward to Bahubali-The Beginning, said to be the most costly Indian film so far.
As it turns out, it is everything I expected it to be -- mega, ingenious and envelope pushing. There's never a dull moment in this 160-minutes long epic fantasy about a lost prince, rebellion, revenge, rivalry and a shocking betrayal to seize the throne.
The geography and era specified is entirely fictional, much in the tradition of Peter Jackson’sLord of the Rings, one film Bahubali clearly looks up to-- be it the maps, font, Minas Tirith-inspired architecture or conception of a brand new language ‘Kiliki’ spoken by a wild tribe of demonic barbarians along the lines of black speech used by the Uruk-hai.
Except the narrative is steeped in traditional Hindu mythos and legends. Bahubali skilfully combines crucial characters presumably inspired of Mahabharat and their distinct motivations to the Krishna-Kansa episode. It's like witnessing the vibrant illustrations of Amar Chitra Katha comics come to life on big screen while drawing on the aesthetics of Lord Of The Rings,300 and Troy for its fairly decent VFX and kinetic battle sequences.
Oh, but the wartime moves of Rajamouli, who appears in a brief cameo as a spirits seller, formulating medieval weapons (spears, flails, morningstars) and custom-made catapults -- are entirely his invention.
Be it the snow-clad mountains, palatial sets or stark battleground infested with CGI-enhanced cavalry and infantry, Bahubali is magnificent to look at (take a bow, cinematography-K K Senthil Kumar, production design-Sabu Cyril).
A good fraction of the beginning wears an ethereal, aqueous appearance. In its opening scene, a woman emerges from a cave holding a torch in one hand and a baby in another. Standing at the foot of the towering waterfalls she stops to catch her breath. There’s an arrow pinned to her back. Despite the looming danger in the dimly lit moment, the visual is much too breathtaking to not savour.
She swims past a furious torrent with one arm stretched above the water carrying the baby -- a basket would be too plain for Rajamouli -- and mysteriously points upstream before handing him over to a bunch of kind village folk. The boy isn’t Lord Krishna but Shiva, a prince (Prabhas).
Oblivious of his blue-blooded roots, he's raised by common village folk but develops into a strapping superhuman boasting of Superman's strength, Tarzan's agility and Krishna's playful temperament who's also efficient in tattoo art and crafting on-the-spot bamboo bows.
Shiva seeks to get on top of the seriously tall waterfall, a desire that is doubly fuelled after a curious wooden mask falls from above. The wide gap acting as a hurdle in his path evoked memories of an imprisoned Batman’s struggle in The Dark Knight Rises. As did the relief when he overcomes it.
Soon enough, Shiva bumps into a feisty warrior Avantika (Tamannaah), part of an underground resistance and learns about her group's mission to rescue the Queen (Anushka Shetty as Karan Arjun’s Raakhee), a chained captive of the usurper (Rana Daggubatti) who's taken her husband's (Prabhas again) crown. A dedicated warrior slave (Sathyaraj, the Hindi movie audience may recall seeing him as Deepika Padukone's father in Chennai Express) modelled on Dronacharya, the tyrant king's ill-advising and indulgent father (Nasser) and his authoritative, gutsy wife (Ramya) are the other key players in the story.
How the saga unravels and comes together is the brilliance of Rajamouli's single-mindedly entertaining spectacle. Best part, nothing in it is arbitrary.
When an actor bares his sculpted torso in his movie, it's not for show, there’s a greater purpose to it, you'll see. When he sets a chase against snowy mountains, it's not just a pretty backdrop, you'll discover. When a mammoth statue is about to be unveiled outside the palace grounds, it's not some gimmick but a catalyst leading to the story's big revelation.
Before I proceed to praise some more, I'd like to point out a few missteps. Like how Shiva’s preoccupation with Avantika results in a rushed romance dumbing down the latter's steely aggression into a damsel-in-distress stereotype.
Clumsily penned lines implying, "You’re a girl. I am a boy. I want to love you" only magnify the cringe-worthy tone of his affections. That and a needless item song in its second half are the few slipups Bahubali could do without. But I liked the rousing soundtrack by MM Keeravani, specially LOVED the Shiva stuti (prayer) Sivuni Ana.
Ideally I would have preferred to watch it in Telugu with subtitles since the dubbed dialogues aren’t too impressive. The visuals are so enrapturing, they take over the experience. After a point, I observed their lip movement in such rapt attention, don't ask me how, but I deceived myself into believing it is Telugu I hear and Hindi I comprehend.
All the actors do a competent job but Daggubati’s suave menace, Prabhas's charismatic energy, Sathyaraj's stony-faced enigma and Ramya's seasoned spunk stand out. A lot has transpired in The Beginning itself but how these characters will emerge when the story finally wraps up is thrilling to look forward to.
Almost three hours go like a breeze in the company of Bahubali’s eclectic protagonists, where every single one makes an 'entry' designed for wolf-whistles. Heck, I could say that about some of the exits too. Especially one involving a decapitated figure.
Bahubali-The Beginning isn’t quite finished; though it concludes on a delightfully stupefying note. The rest of the epic fantasy is scheduled for release sometime in 2016. Films that end on a cliffhanger note are usually frustrating. Bahubali isn't.
The first part of the epic leaves behind dollops of rip-roaring entertainment to relish till it’s back to finish what it started in perhaps even more jaw-dropping manner. Rajamouli incites such confidence.
Rediff Rating:
Bahubali
04:35
blockbusters, telugu
Jeevi rating: 4/5
Punchline: magnum opus
Genre: Thriller
Type: Straight
Banner: Mallemala Entertainments
Cast: Anushka, Sonu Sood, Deepak, Manorama, Sayaji Shinde, Kaikala Satyanarayana, Ahuti Prasad, Annapurna
Music: Koti
Dialogues: Chintapally Ramana
Cinematography: Senthil Kumar
Visual effects: Rahul Nambiar
Art: Ashok
Editing: Marthand K Venkatesh
Story – screenplay: Mallemala unit
Direction: Kodi Rama Krishna
Producer: M Shyam Prasad Reddy
Release date: 16 January 2009
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Arundhati (Anushka) belongs to Gadwal samsthanam in 1920’s. She is known for her bravery in saving the Samstanam by killing Pasupathi (Sonu Sood) an evildoer who creates ruckus in that place. She is praised as Jejemma (named after the famous Goddess in that area). But the spirit of Pasupathi haunts that place. Another girl is born in the same lineage after 3 generations and she is named as Arundhati. The spirit of Pasupati is after Arundhati to take the revenge. The rest of the story is all about how Arundhati puts an end to the evil spirit of Pasupathi.
Anushka: This is Anushka’s first performance oriented film and she is simply amazing in two roles. There are many shots in the film where the scenes from the present time will dissolve into to flashback and vice versa. These scenes are done on Anushka are crucial in the film. She has to show the variations between the old Arundhati and new Arundhati. She did exceptionally well with subtle yet impact creating performance. Shilpa and Sowmya dubbed the voices of old and new characters respectively.
Story - screenplay - direction: Story of the film is good. Screenplay is very good. The beauty of this screenplay is about revealing the story and information in parts. There is always something to look forward to with anticipation in the film. It possesses one of the best screenplays in the recent times. Direction by Kodi Rama Krishna is very good. However, there are a couple of violent scenes that are disturbing to the family crowds. You can see a few Hollywood inspirations like Lord of the Rings, House of Flying Daggers (drum dance), Final Destination 1 (car - train episode). A couple of episodes (the thread of drum dance by the guru & establishing Arundhati as the warrior) should have been more effectively established.
Other departments: Visual effects and graphics done by Rahul Nambiar are extraordinary. Cinematography by Senthil Kumar is excellent. Background music and rerecording by Koti is brilliant. The songs in the film go with the flow of narration. Art direction by Ashok is first-rate. Make-up work is good. Editing is smooth. Digital Ingredient (color grading) is very good. Production values of this film are extravagant.
Analysis: First half of the film is excellent and the second half is good. The plus points of the film are performances, screenplay, technical values and grandeur. The only negative point I see in this film is violence (got an A certificate from censors), which is very much required for the film to be effective. After a long time, I watched a Telugu film that has both content and technology rightly mixed to give a vibrant output. Arundhati is a film which you can proudly show it as a Telugu film to all your non-Telugu friends. And it will live up to the adjective of ‘Magnum Opus’. Two thumbs up to Shyam Prasad Reddy for making a brilliant film. Don’t watch it on internet or pirated DVDs. Arundhati is a film that must be watched in a good theater with nice sound/projection system.Arundathi
04:23
blockbusters, telugu
Jeevi rating: 3.5/5
Punchline: grand film
Genre: Romance/Action
Type: Straigh
t
Banner: Geeta Arts
Banner: Geeta Arts
Cast: Ram Charan Teja, Kajal Agarwal, Srihari, Sunil, Brahmanandam, Sarath Babu, Rao Ramesh, Surya, Mumaith Khan, Sameer, Sekhar, Kim Sharma, Saloni & Hema
Music: MM Keeravani
Sound suvervision: Kalyani Malik
Cinematography: Senthil Kumar
Dialogues: Ratnam
Art: Ravinder
Editing: Kotagiri Venkateswara Rao
Fights: Peter Hynes & Ram Lakshman
Styling: Rama Rajamouli
Co-producer: Bhogavally Prasad
Story: Vijayendra Prasad
Screenplay, & Direction: SS Rajamouli
Producer: Allu Arvind
Release date: 30 July 2009
Story
The story happens in the year 1609. Kala Bhairava (Ram Charan Teja) is the protector/cheif guard of Udayghad kingdom. Mitra (Kajal Agarwal) – the heir princess is in love with him. But there is a bad relative of the king who wants to marry her. Sher Khan (Srihari) plans to invade Udayghad. In the process ensued, all of them die. These four people take rebirth after 400 years in the contemporary era. Harsha (Ram Charan Teja) is a race biker. He falls in love with Indu (Kajal Agarwal). And a bad guy called Raghuveer is after her. The rest of the story is all about how they trace themselves back to the past and settle the unfinished business.
Artists Performance
Ram Charan Teja: Ram Charan’s performance in his debut film Chiruta is like a show reel of what he is capable of doing. In this movie, he gets an opportunity to do some real good performance and he performs them convincingly with effortless ease. And he had gone through tremendous physical toil in this film as it involves horse riding, sword fighting, dances and many more. His dance in Bangaru Kodipetta after the completion of Chiranjeevi’s appearance is stunning. He is gifted with a good voice and he should fine tune it further to come up with pristine Telugu diction.
Kajal Agarwal: Kajal Agarwal is the surprise pack of this movie. She never looked so gorgeous and lovely in her earlier movies. She is overwhelming in this movie. Soumya who dubbed her voice came up with fabulous job in the first half where heroine’s naughty and is in love. However, she needs to come up with better dubbing for emotional scenes and serious episodes..
Others: Chiranjeevi did a special appearance in Bangaru Kodi Petta remix song. Srihari has relatively small screen presence. But his role is extremely powerful. He is excellent as Share Khan and his get-up and dialogue delivery is superb. And his Srikakulam dialect in the second half is very nice. The guy who did the role of villain has sharp features and he is adequate. Rao Ramesh is excellent in the role of Aghora. His voice and body language is wonderful. Sameer is good as the deputy of Srihari. Sunil and Brahmanandam are adequate. Mumaith Khan danced with Ram Charan Teja in Bangaru Kodi Petta. Kim Sharma did another item song. One wonders what Saloni is doing in this movie?
Technical departments
Story - screenplay - directon: Story of the movie is about rebirths. Rajamouli opened the movie by revealing the story right in the first episode. The challenge lies in Rajamouli’s handling of telling the story interestingly to the audiences though audiences know what he is going to narrate. Screenplay of the movie is good and the Rajamouli trade mark commercial paybacks are nicely inserted at regular intervals. Rajamouli who made a self-confession in the past that he is weak at narrating love stories makes a nice effort to come up with a convincing love story that penetrates eras and generations.
The following three episodes are visually extraordinary
1. The opening sequence.
2. The shot where hero and heroine go to Bhairava to perform poojas.
3. The shot involving of elevating camera on top angle between two pillars in flashback episode.
The following commercial payoffs will work big time
1. White Chunni thread (just like the thread of medal in Yamadonga film)
2. Picking up four important characters from the past and get them closer in the current time.
3. Ending the movie from where it started in the opening episode (usage of same weapons, location, sentiment etc)4. Aghora tells villain how to recognize the hero. And the same symptoms occur during helicopter fight before interval.
The following scenes will create an impact:
1. The horse coming back to help the sinking hero.
2. Kill 100 people episode (inspired by 300 movie killing style where killing is shown more like poetry than a gore element). The opening credits have the counting of 100 as the backdrop and we realise the importance of it only after watching the last fight of the flashback.
The following scenes are mediocre:
1. The basis of heroine misunderstanding hero is too flimsy.
2. Srihari’s car colliding with chopper looks comical in the serious fight of climax. .
Other departments: Rajamouli should be appreciated for giving due credit to all his technicians by dedicating a full-song to them during the end titles of the movie. Watching that was fun. Songs scored by MM Keeravani are little disappointing when you listen to them on the stereo. But they are good on screen with visuals. Background music is excellent. Cinematography by Senthil Kumar is very good. It is extremely difficult to recreate the era of 400 years old and art direction by Ravinder is splendid. Fights composed by Peter Hynes are excellent. Dialogues by Ratnam are good. Styling by Rama Rajamouli is very good and you can see chic colors in the costumes worn by the lead pair in abroad song. Editing is good. Visual effects are nice. So is digital intermediate. But at the same time, there seem to be inconsistency in visuals throughout the movie. Some of the visuals are excellent and some of the visuals are good and some other are mediocre. Visuals are the results of combined effort of cinematographer, art director, visual effects department, DI team and film processing lab. One can see inconsistency in the postproduction of the movie. Production values of Geeta Arts are impressive and it is one of the biggest spent movie of Telugu film industry.
Analysis: Opening episode of the movie is superb. First half of the movie is nice and second half is decent. The tempo goes down right after the flashback episode as it’s everybody’s guess that what follows is a predictable climax. The plus points of the movie are Ram Charan Teja, novel subject of rebirth, flashback episode, grandeur and commercial pay offs. On the flipside, there is tremendous scope for improvement in the second half. On a whole, Magadheera might not be a great film. But it is a good entertainer with nicely packed commercial elements and grandeur. Go and watch it in a theatre near you with nice projection and good sound system.
Tailpiece: There is uncanny resemblance to Arundhati and Magadheera stories. Both these films are about incarnations. Both these movies have aghora episodes. And villain lusts heroine and that forms the central conflict point in both these movies.
Magadheera
03:45
blockbusters, telugu
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